SHE ENTERS THE CONVENT
On September 1, 1764, Cavalier Ignatius and his daughter presented
themselves at the door of the Convent of St. Theresa in Florence, (now
a prison). Its little church, so pure and artistic in its simple
lines, rises not far from the Church of St. Ambrogio at Porta alla
Croce.
After having exchanged a few words with the portress through the
grille, they were shown into the parlor. It was a poor looking room,
large and square, with white-washed walls. At one end was an internal
window very heavily barred both down and across, behind which hung an
impenetrable veil of black cloth.
On the walls hung two oil paintings of the great Reformers:
St. Theresa of Avila and St. John of the Cross.
Over the "grilled" window was an old black crucifix; two
small notices on either side of it bade you: "Remember that you
have only one soul, that you can only die once; you only have a brief
span of life, and it is given to you for a purpose, there is only one
glory and this is eternal; I would give up many things for this."
--- Holy Mother Theresa of Jesus.
"Having to pass your time here and render an account of it,
why do you not spend and employ it in the way you would wish to have
spent it when your death is at hand?" --- St. John of the
Cross.
Anna Mary sat down in silence. Cavalier Ignatius paced up and down
the room, looking with unseeing eyes now at the pictures and then at
the inscriptions. In vain he tried to pass away the time that seemed
to him interminable, and yet he did not wish that it go any
faster.
Suddenly, the black veil was pulled aside and the Mother Prioress,
after a few words of kindly welcome, told them that all was now in
readiness for Anna Mary's ceremonial entry. Father and daughter then
left the parlor and wended their way to the entrance of the cloister
of the convent. Only a few moments more --- a bell rang sharply from
inside --- a shuffling of sandals on stone, a swishing of skirts and a
clicking of many rosary beads; all these sounds seemed to be coming
nearer and nearer. Finally the heavy door of the enclosure opened and
down the long corridor, they caught a glimpse of the Nuns standing in
a double row along the walls, clad in their habits of russet brown;
their faces were entirely hidden by long black veils which fell down
to their bare feet.
A last embrace from her father ... a last blessing, then with rapid
steps, the young girl crossed the threshold and entering, passed
between the rows of the community.
The humble cloister absorbed her in the gathering twilight, and in
the perfect silence, the closing of the outer door could be distinctly
heard.
Like a lake whose waters have been ruffled by a sudden breeze, the
monastery's peace once more descended calm and solemn, after having
welcomed one more soul into its limpid depths.
Anna Mary faced her new Mother, and then knelt at the feet of the
Prioress to receive the blessing and to kiss the picture of the Master
Whom she had gone to serve within those walls. All the Nuns clustered
round and embraced her, showing her their affection in various ways of
which, later on, she was to have ample proof. A while later, she found
herself in the choir, ready to offer the immolation of herself to Our
Lord and the Blessed Virgin. Then she was taken into the enclosed
garden of the Novitiate where the young Nuns gave her a warm welcome
and loving smiles, as they tried their best to soften the bitterness
of the terrible farewell to home and to her loved ones.
A small room was then assigned to her, a cell rather, small and
bare, the walls white-washed, the narrow low door of deal painted
brown, a white deal table, a woolen mattress on three planks, propped
up by a couple of trestles; its sole ornament was a plain black cross
with no figure on it. The window of the cell looked out on the convent
garden --- it was dusk --- the sounds of the city seemed far away and
hardly disturbed the silence and solitude. The stars lingered in the
sky and shone with greater brilliance as the night grew darker. Two
silences seemed to unite, one of Heaven and the other of earth,
weaving a tender harmony and then ... nothing but silence ... and the
silence of a Carmelite monastery is absolute.
Anna Mary began to feel the fascination of the place... God was
passing in the shadow of that summer night and the invisible Presence
animated the praise that ever rose to Heaven from sleeping nature.
The soul of the young girl was insensibly uplifted to the
contemplation of God. Far away from the world, in the solitude, a wide
desert was forming in her, and the Divine Presence was beginning, even
then, to shower graces on her superabundantly.
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